Midjourney’s web version has recently made its “image editor” feel much more like a complete retouching workstation: from local erasing to restoring details, and from expanding the canvas to transforming composition, it basically covers the most commonly used actions in everyday secondary creation. This article follows the real usage workflow to clearly explain what the new interface can do and how to use it.
What key points were updated in this Midjourney image editor update
The entry to the new Midjourney image editor is more straightforward: click “Edit” on an image to enter the new interface, without having to hunt around for features. The core changes focus on three areas: local edits (erase/restore), canvas capabilities (aspect ratio and proportion adjustments, canvas expansion), and the overall reconstruction room enabled by “Transform.”
For creators who need repeated fine-tuning, this kind of editing capability saves more time than “rerolling for a new image,” and it also helps maintain visual consistency.
How to enter Midjourney’s web editing interface (the shortest path)
On the Midjourney web app, open a work you’ve already generated. After selecting the target image, click the “Edit” button near the image to enter the brand-new image editor interface. Once inside, don’t rush to change the prompt—it's recommended to first confirm the canvas ratio and crop area to avoid mismatches between erased regions and the composition later.
If you’re choosing images across multiple jobs, enlarge or set the one you want to edit as the main image first; the experience will be much smoother.
“Erase” and “Restore”: local edits finally feel smooth
In Midjourney’s image editor, “Erase” is suitable for removing unwanted elements such as extra passersby, stray props that break continuity, or background specks; after erasing, pair it with prompts to have the system repaint that area. In contrast, “Restore” is more like an undo remedy: if you erased too much or want the original details back, just brush them back with Restore.


